5/4 time signature.  
 
Here's the keyboard tabbed. Try to get the best sustain possible, particular on the notes followed by ~~. This can also be split into a guitar and a bass part if your band requires it, and still sounds good 
 
           Repeat 
1|---------*----------------------------------*- 
2|---------------------------------------------- 
3|-5-------*-5---5---5---5---5---5---5--------*- 
4|---6p5-----------------------5~~-----8-6-5---- 
5|---------*-7~~-------8~~--------------------*- 
6|-------8-------------------------------------- 
 
The chords used are: 
 
Fmaj7 / Cmaj7 / C#maj7 / Ebmaj7  
 
Chorus 
 
Cmaj7 / C#maj7 / Ebmaj7 / C#maj7 
 
Everything.... 
In its right place 
In its right place 
In its right place 
Right place 
 
Yesterday I woke up sucking a lemon 
Yesterday I woke up sucking a lemon 
Yesterday I woke up sucking a lemon 
Yesterday I woke up sucking a lemon 
 
Everything, everything, everything.. 
In its right place 
In its right place 
Right place 
 
There are two colours in my head 
There are two colours in my head 
What was that you tried to say? 
What was that you tried to say? 
Tried to say.. tried to say.. 
To say.. to say.. to say... 
 
Everything, everything, everything.. 
Everything in its right place 
 
 
*ALTERNATIVE TABBING 
 
 
Tuning (!ATTENTION!): 
 
C----- 
C---- 
G--- 
D--- 
A---- 
E----- 
 
It's like this.. you don't have to worry 
about tuning the 2 last string into 'C's 
because you can play the song without them.. 
 
But if in fact you DO WANT to play with those 
2 last strings DO tune them into 'C's.. 
 
 
INTRO 
--------------0-- 
--0-----------0-- 
-----1--0-----0-- 
--------------2-- 
-----------3--3-- 
----------------- 
 
FIG1 
--0--0--0--0--0--0----0--0--0----0--0--0-- 
--0--0--0--0--0--0----0--0--0----0--0--0-- 
--0--0--0--0--0--0----0--0--0----0--0--0-- 
--2--2--2--2--2--2----3--3--3----5--5--5-- 
--3--3--3--3--3--3----4--4--4----6--6--6-- 
------------------------------------------ 
 
FIG2 
--0----0--0----0--0----0--0-- 
--0----0--0----0--0----0--0-- 
--2----0--0----1--1----3--3-- 
--3----2--2----3--3----5--5-- 
--3----3--3----4--4----6--6-- 
----------------------------- 
 
FIG3 
--0--0--0--0--0--0----0--0----0--0-- 
--0--0--0--0--0--0----0--0----0--0-- 
--1--1--1--1--1--1----0--0----3--3-- 
--3--3--3--3--3--3----2--2----5--5-- 
--4--4--4--4--4--4----3--3----6--6-- 
------------------------------------ 
     
    FIG4 sometimes like this.. 
!   -----0----0--0----0--0----0--0-- 
!   -----0----0--0----0--0----0--0-- 
A   -----2----0--0----0--0----0--0-- 
T   -----3----2--2----3--3----5--3-- 
T   -----3----3--3----4--4----6--6-- 
E   --1----------------------------- 
N   then sometimes changes to this.. 
T   -----0----0--0----0--0----0--0-- 
I   -----0----0--0----0--0----0--0-- 
O   -----2----0--0----0--0----0--0-- 
N   -----3----2--2----3--3----5--5-- 
!   -----3----3--3----4--4----6--6-- 
!   --1----------------------------- 
    the difference is this chord.^.. 
 
Ok.. see FIGs 1 and 2? after everytime FIGs 1 and 2 
are played here's what happens.. 
 
             ..then..            ..then.. 
-------------- ---- -------------- ---- ----------- 
--0-----0----- ---- --0----------- ---- -----0----- 
-----3-------- F1/2 -----1--0----- F1/2 --3-------- 
-------------- ---- -------------- ---- ----------- 
-----------3-- ---- -----------3-- ---- --------3-- 
-------------- ---- -------------- ---- ----------- 
 
this one is special :) 
it is only played sometime after FIG2.. 
 
--1-------- 
-----0----- 
--------1-- 
----------- 
 
Diogo Fangueiro diogofangueiro@globo.com 
 
_______________________________________________________ 
Contribuição: Diogo da Silva Fangueiro(diogofangueiro@globo.com)